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KIMONO*WORLD




kimononagoya:


60,000 from IKS

kimononagoya:

image

60,000 from IKS


31 notes | Reblog | 1 month ago
kimonofashion:

iki-mono:

thekimonogallery:

“Kimono-hime” magazine, issue 9. 

Lose the hair bow & it would be perfect!

i like the hair bow

kimonofashion:

iki-mono:

thekimonogallery:

“Kimono-hime” magazine, issue 9. 

Lose the hair bow & it would be perfect!

i like the hair bow


186 notes | Reblog | 1 month ago

(Source: h0ll0wbasti0n)


102 notes | Reblog | 2 months ago
kimononagoya:


Mamechiyo has done it again with red, pink and light pastel yellow with a touch of dark dark green. This kimono coordination shines with a springtime feel, including the unique touch of the taupe-brown obiage, which doesn’t detract from the yellow and red, but adds a touch of earth tone that makes this very gentle. As always I enjoy her coordinations.

kimononagoya:

image

Mamechiyo has done it again with red, pink and light pastel yellow with a touch of dark dark green. This kimono coordination shines with a springtime feel, including the unique touch of the taupe-brown obiage, which doesn’t detract from the yellow and red, but adds a touch of earth tone that makes this very gentle. As always I enjoy her coordinations.


42 notes | Reblog | 2 months ago
thekimonogallery:

Shibori yukata.  Image via g2slp of Flickr

thekimonogallery:

Shibori yukata.  Image via g2slp of Flickr


13 notes | Reblog | 2 months ago
thekimonogallery:

Using two mirrors to appraise hair-work.  Hand-colored photo, 1870’s, Japan, by photographer Felice Beato 

thekimonogallery:

Using two mirrors to appraise hair-work.  Hand-colored photo, 1870’s, Japan, by photographer Felice Beato 


52 notes | Reblog | 2 months ago
thekimonogallery:

Putting on an obi (wide belt).  Hand-colored photo, 1870’s, Japan, by photographer Felice Beato

thekimonogallery:

Putting on an obi (wide belt).  Hand-colored photo, 1870’s, Japan, by photographer Felice Beato


31 notes | Reblog | 2 months ago
sarcasm-hime:

manamihanashiro:

着付け完了~ #japanese #japan #卒業式 #kimono #hakama #flower

Why can’t I have my dream stripe kimono…T____T

sarcasm-hime:

manamihanashiro:

着付け完了~
#japanese #japan #卒業式 #kimono #hakama #flower

Why can’t I have my dream stripe kimono…T____T


13 notes | Reblog | 2 months ago
thekimonogallery:

A silk kimono featuring an elegant combination of rice and stripe motifs. Taisho period (1911-1927), Japan. The Kimono Gallery

thekimonogallery:

A silk kimono featuring an elegant combination of rice and stripe motifs. Taisho period (1911-1927), Japan. The Kimono Gallery


73 notes | Reblog | 2 months ago
kimononagoya:

A charming Graduation set from Wa Nadeshiko.
The colours convey a rather vintage feel to me, and the Cho-furi’s lavender on beige-mustard is a nice, original colour set. Though those colors are both washed out and look a little dry, they are a Western complimentary color set and go nicely together.
The green hakama are standard modern polyester but contrast with the kimono and keep this set from becoming too dull and mature. The red accessories are what breathe some youth into this set.  An extra nice touch!
The oddity here is really the light white/camel coloured boots—normally they are black, but having lightness at the bottom of this set ties the mustard color (and the cream coloured rose in her obi) with the flowers on the hakama and the colour of the boots carrying the eye of the viewer through the whole set.

kimononagoya:

A charming Graduation set from Wa Nadeshiko.

The colours convey a rather vintage feel to me, and the Cho-furi’s lavender on beige-mustard is a nice, original colour set. Though those colors are both washed out and look a little dry, they are a Western complimentary color set and go nicely together.

The green hakama are standard modern polyester but contrast with the kimono and keep this set from becoming too dull and mature. The red accessories are what breathe some youth into this set.  An extra nice touch!

The oddity here is really the light white/camel coloured boots—normally they are black, but having lightness at the bottom of this set ties the mustard color (and the cream coloured rose in her obi) with the flowers on the hakama and the colour of the boots carrying the eye of the viewer through the whole set.


70 notes | Reblog | 2 months ago
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